ELLIS *POSTPONED**DATE TBD*
with Peaer and Dan Edmonds
Downstairs, All Ages
DOORS: 7:00 PM // SHOW: 8:00 PM
ON SALE NOW!
Thursday April 30, 2020
The full-length debut from Ellis, Born Again takes place in spaces both intimate and vast, ordinary and near-mythic: warm beds and lonely church pews, restless cities and desolate forests and the furthest reaches of the cosmos. Throughout the album, those spaces serve as the backdrop to Ellis’s sharply detailed and sometimes-painful experience of self-discovery, as well as the life-changing transformation echoed in the album’s title.
“I grew up Christian and was quite devoted to faith up through my late teens, but I started challenging that once I got to university,” says Hamilton, Ontario-based singer/songwriter Linnea Siggelkow, who began making music under the name Ellis in 2017. “Since then I’ve been trying to redefine who I am and where I stand and what I think about these things on my own, and that journey very much played into the songwriting on this record.”
Produced by Jake Aron (Snail Mail, Solange, Grizzly Bear) and recorded partly at Aron’s Brooklyn studio, Born Again arrives as the follow-up to Ellis’s debut EP The Fuzz—a self-released, self-produced effort that promptly led to a deal with Fat Possum Records. In a departure from the viscerally charged dream-pop of The Fuzz, Born Again unfolds with a mesmerizing subtlety, gracefully spotlighting Ellis’s unhurried melodies, starkly confessional lyrics, and the luminous vocal work she’s shown in opening for artists like Soccer Mommy and Alvvays.
On the title track to Born Again, Ellis reveals her rare ability to mine raw intensity from the most understated moments. Lit up in dreamy synth tones and drifting guitar lines, “Born Again” documents her post-adolescent search for identity with a self-awareness that’s uncompromising yet good-humored (sample lyric: “I thought I had found freedom when I moved into the city/I was puking out the window, I was trying to be pretty”). With its shapeshifting textures and gorgeously languid pace, “Embarrassing” offers a layered meditation on regret and responsibility, closing out with a perfectly plainspoken refrain (“Some things should be embarrassing”). And on the sweetly hazy “Fall Apart,” Ellis takes on a heart-crushing vulnerability, laying bare her longtime struggle with anxiety and its impact on her most precious relationships.