PALEHOUND *POSTPONED**DATE TBD*
with Adult Mom
Downstairs, All Ages
DOORS: // SHOW:
ON SALE NOW!
Friday March 27, 2020
The third full-length from Boston-based trio Palehound, Black Friday, is a finespun exploration of all the forms that love can take: love between
friends, love for people no longer in your life, love in the face of self-hate, love that endures through major life changes or through many tiny catastrophes.
With her thoughtful narrative voice, Palehound singer/songwriter Ellen Kempner imbues each song on the album with a radical sensitivity, an unchecked
depth of feeling that ultimately sparks a greater open-heartedness within the listener.
Co-produced by Kempner and Gabe Wax (Beirut, Soccer Mommy), Black Friday follows 2017’s A Place I’ll Always Go -- a widely acclaimed release that landed on many year-end best-of lists. In creating the album, Kempner and her bandmates Jesse Weiss (drums) and Larz Brogan (bass) recorded at Panoramic House in Stinson Beach, California, tracking most of the songs live and breathing a new vitality into Palehound’s elegantly detailed sound.
Unrestrained in emotion but subtle in sonic flourish, Black Friday opens with the stripped-back intensity of “Company,” the first of many songs conveying a profound longing for a lost friend. From there, Palehound shift into the joyful wonder of “Aaron,” a song Kempner wrote for her partner in the midst of his transitioning process. “It’s about the past year of him coming out and me helping him through that, and just watching him grow so much,” she says. With her hushed yet urgent vocals, Kempner reveals her ability to draw so much power from a single word, turning “Aaron” into an indelibly tender expression of devotion and love.
Palehound examine the intricacies of friendship and partnership all throughout Black Friday, handling the subject with a level of attention rarely found in pop songs. On the quietly hypnotic title track, Kempner captures the specific ache of uneven emotional investment between friends, framing her plaintive acceptance in particularly barbed lyrics (“You’re Black Friday and I’m going to the mall”). And on “Worthy,” Palehound speak to the challenge of navigating self-confidence issues in relationships, and delicately showcase Kempner’s lyrical finesse (“And I’ve won over your mother, darling/And I’ve won over your sister too/And I won over your father, darling/And I still don’t feel worthy of you”).
Adult Mom began as the solo project of Stephanie Knipe in a Purchase College dorm room in 2012. Adult Mom now falls between the playful spectrum of solo project and collaborative band with drummer Olivia Battell. Through reflections and explorations of the personal and hidden, the crux of the writing produced by Knipe is focused on excavation. The dredging out of secrets, putting it all in a pan, waiting for the gold to rise. Honesty and intimacy form as Knipe writes clever pop songs that offer a glimpse into the journey of a gender-weird queer navigating through heartache, trauma and subsequent growth.
With their debut LP, Momentary Lapse of Happily, Adult Mom bravely shined a light on the darkness and allowed the listener to experience and feel those
moments along with them. Soft Spots, the project’s sophomore LP, is an exploration into the physical and emotional acts of opening up, the vulnerability
that produces love, and then ache. With this record, Knipe proclaims that everybody has soft spots. Spots that get cared for and tended to, that grow
and fade, that produce feeling that can linger for years and years. Knipe shares with us their process of learning how to cradle and understand their
own softness without finality, a story without an end.