Downstairs, All Ages
DOORS: 7:00 PM // SHOW: 8:00 PM
Wednesday January 15, 2020
YACHT will be playing their Grammy Nominated album “Chain Tripping” in its entirety!
“We wanted to find a way to interrogate technology more deeply,” explains Claire L. Evans, one-third of the Los Angeles-based pop group YACHT. “From the ground up,” adds her partner and YACHT founder Jona Bechtolt.
The group—rounded out by longtime collaborator Rob Kieswetter—would know: their seventeen-year career has been marked by a series of conceptual stunts, experiments, and attempts to use technology “sideways,” from rock-and-roll PowerPoint presentations to their Webby-award-nominated campaign for I Thought the Future Would Be Cooler (2015), which featured, among other things, a music video that played only during Los Angeles’ rush hour and an album cover that could only be seen via fax. Even the band’s name speaks to this: YACHT is an acronym for Young Americans Challenging High Technology.
CHAIN TRIPPING is the band’s seventh album and third with DFA Records. Recorded between the band’s home in Los Angeles and Marfa, TX, the ten-song collection marks a shift in the group’s relationship with technology and their art. Rather than trying to comment on existing platforms from within their own filter bubble, the band stripped their process down and rebuilt it using a technology entirely new to them—Artificial Intelligence, and more specifically, machine learning. The result is an album that merges invention and intimacy, “challenging” technology from code to content.
In order to compose CHAIN TRIPPING, YACHT needed to invent their own AI songwriting process. It was a journey of nearly three years. They first tried to discover any existing YACHT formulas by collaborating with engineers and creative technologists to explore their own back catalogue of 82 songs using machine learning tools. “We listened to raw audio samples of a neural network trying to sing in Claire’s voice,” says Bechtolt. “We reduced our entire compositional output to MIDI data. We flattened our lyrics into text files, into words among millions that would be fed to a weird custom algorithm. We talked to pioneers of algorithmic composition, and to startup founders who promised us they could reproduce our sound in two hours or less.”
Eventually they created their own working method, an uncharacteristically low-tech approach to a high-tech possibility, painstakingly stitching meaningful
fragments of plausible nonsense together from extensive, seemingly endless fields of machine-generated music and lyrics, themselves emerging from models
created with the help of generous experts in neural networks, deep learning, and AI. Armed with these custom and custom-tweaked machine learning models,
YACHT was able to generate massive volumes of lyrical and melodic information—much of which was “hiding in-between” melodies in their our own
back catalogue—which they then approached as source material, using a process more influenced by analog cut-up writing techniques than anything
Born and raised in Milwaukee, Wisconsin and based out of the standing-room-only East Coast music hub of Brooklyn, New York, Juiceboxxx is an eclectic artist, producer, and performer with roots in rap, pop, punk, garage, and classic rock. Described by Public Enemy's Chuck D as "the Buddy Holly of Hip Hop," JB began performing at the age of 15, laying the groundwork for his signature high-energy live show, which usually includes a drummer and guitarist. He released a handful of mixtapes before dropping his debut long-player, I Don't Wanna Go Into the Darkness, in 2013 on Infinity Cat. A portion of the funding for the LP came from his music and culture label Thunder Zone, which is the home of JB's energy drink of the same name. In early 2017 he released the singles "Guts and Tension," "Freaking Out," and "Going to the Club" in anticipation of the arrival of his highly anticipated sophomore full-length, the Dangerbird-issued Freaked Out American Loser. The following year, Juiceboxxx released the EP Never Surrender Forever, with the release seeing him shift into a more indie-punk direction. In 2019, he returned to the studio to record his fourth album, It's Easy to Feel like a Nobody When You're Living in the City. Produced by Joel Hamilton (Unsane, Highly Suspect), the early 2020 release was preceded by a number of singles, inducing "Kids Are Looking" and "Running So Deep."