Downstairs, All Ages
DOORS: 7:00 PM // SHOW: 8:00 PM
ON SALE NOW!
Wednesday July 24, 2019
Comprised of two gifted musicians, The O’My’s channel their experiences and perspective into gritty, polished music that grabs listeners with its sound, and holds them with its content. Nick Hennessey and Maceo Vidal-Haymes, two Chicago natives, man the keys and guitar respectively, with Maceo handling vocal duties. Maceo, a master writer, pens all lyrics himself, leading to emotion laden songs that resonate deeply with listeners. Constantly evolving with their sound, the duo have grown and progressed with each one of their four projects currently released, pushing their boundaries and challenging themselves with each release, and their forthcoming album is no different.
KAINA creates generational music that surpasses borders, a unified expression of her native Chicago, coupled with her Venezuelan and Guatemalan heritage. This cultural fusion is best illustrated on the lead single “Green” from her forthcoming debut full-length album Next To The Sun (Sooper Records). In the Jean Deaux-directed visual, we see people of all ages and backgrounds breaking bread with each other — a colorful, blended representation of what family means for the singer.
KAINA is a first-generation Latina, born and raised in Chicago. Apart from her parents and brother, she didn’t grow up around any other blood family in
her hometown, which ultimately led to a detachment from her cultural identity. “I think ‘Green’ is the piece that connects it all for me,” she says.
“I feel alone a lot, but I also know that it took so many people for me to exist and collectively, us as generations have seen many days and times
and ‘moons.’ I am always connected even when I’m literally far away, or even lineages away — or my history has been taken from me, or I didn't
get to learn it.” While lineage has always been at the root of KAINA’s music, “Green” marks a pivotal moment for the 23-year-old; a moment where she
finds peace with her sense of self.
From her debut EP, 2016’s sweet asl. to 2018’s 4U, and her anticipated album Next To The Sun, KAINA has continued to push this narrative through her brand
of sweet-hearted optimism, which she uses as a means to connect with and lift her listener’s spirit. From collaborating with peers like Saba, The O’My’s,
and Sen Morimoto, and through multidisciplinary work around the city with various organizations, she has found a sound for herself that is gentle,
yet full of intent.
Songwriting has thus become a vital aspect of KAINA’s personal canon. “I don't write songs until I feel it coming up,” she says. “I don't really edit my
songs either; I feel like I said what I said and meant it the way I said it.” A listener can feel the intimacy resonating in her lyrics, as she pens
odes about love, legacy, and ancestry, and how those concepts become more complex as one grows older.
KAINA folds all of her fears and hopes about identity into Next To The Sun. Spanning nine songs, the album is indebted to Latin music while remaining bound
to the soulfulness of Chicago. “Green” is a nod to salsa, while the bassline on the title track is an acknowledgment of Latin music’s sultry aesthetics.