OOOOO | ISLAMIQ GRRRLS
with Flavoured Water
Downstairs, All Ages
DOORS: 7:00 PM // SHOW: 8:00 PM
ON SALE NOW!
Friday November 23, 2018
oOoOO x Islamiq Grrrls
There’s a disorienting quality to Faminine Mystique, the purposely “difficult-to-digest” collaboration between bedroom producer-songwriters oOoOO and Islamiq Grrrls, that will be familiar to anyone coping with the modern affliction known as “extremely online.” You know the one: shallow breathing, legs turning red under a hot laptop, two dozen tabs open—yet time seems to stand still, somehow, as long as you keep scrolling. Now that the internet is less a novelty and more a banality, as one “post-internet” thinker described it, we’re all pretty used to tackling endless streams of seemingly unrelated thoughts as we navigate our newsfeeds every day.
For oOoOO and Islamiq Grrrls, all that complexity and incongruity comes built in. Faminine Mystique, which was written and recorded at home in Berlin, is built from a sprawling array of discrete sounds and styles: whispery shoegaze, trap hi-hats, soaring guitar solos, detuned pianos, wobbly Auto-Tune, and even what appears to be a lo-fi tribute to Chris Isaak’s “Wicked Games.” Adding to the density of references, the album’s title—a play on Betty Friedan’s influential text The Feminine Mystique—is meant to refer to “a powerful set of social forces” that allows us access to vast amounts of music while favoring “easy consumption” over experimentation. Fortunately, the results are much more accessible than all of that sounds—nothing a seasoned tab-flipper can’t handle.
The overall effect is engrossing; soon enough you’re sucked into their disorienting, time-flattened grooves. Hallucinatory and inward-gazing, Faminine Mystique offers a distinctly post-internet strain of eclecticism.